Over the course of 2020 and 2021 I have been learning 3D modeling to supplement my camera-based studio practice. These models will supplement camera-based footage in Hole Story. The models produce an uncanny appearance as camera-based footage, which is captured with without depth, is warped and modelled into a 3D landscape that does have depth and its own parallax.
Work-in-progress model of the Phong Phú Commune (Ho Chi Minh City, Vietnam), image still from computer rendering, 2021.
