In this staged photograph in an art museum in Canada a contemporary battle uniform has been recoloured to match an abstract landscape painting. This particular genre of painting is ingrained into the nationalistic ideology of Canada, reflecting Canada’s colonial reimagining of the indigenous land that the country is upon. This image problematizes the nationalistic legitimacy of this genre of painting by comparing it to the abstraction of the landscape through camouflage, a technology made for imperialism and violence. In this case, the camouflage in question is CADPAT, the Canadian Disruptive Pattern, which is the technological basis for all contemporary ‘digital’ camouflage worn by militaries and militias in the contemporary moment.